CALL FOR ENTRY: DRAWING 2011

Entry Deadline: January 21, 2011

DRAWING 2011 is the John B. Aird Gallery's 12th Annual Juried Drawing Exhibition. JURORS: Sadko Hadzihasanovic, Artist and Educator represented by Paul Petro Contemporary Art and Dale Barrett, Director / Curator of the John B. Aird Gallery. Cash Prizes will be awarded. The exhibition will be on view at the John B. Aird Gallery from February 8 – March 4, 2011.

Completed entry forms should be mailed to:

John B. Aird Gallery

900 Bay Street

Macdonald Block

Toronto, ON M7A 1C2

FRAGILE SPACES, December 2010

FRAGILE SPACES, an exhibition of artworks by the Bayside Artists collective, is on view from December 14, 2010 to January 7, 2011. An opening reception takes place on Thursday, December 16 from 6:00 – 8:00 pm with the artists in attendance.

The Bayside Artists: Mary Lynne Atkinson, Sheila Bristow, Patricia Guinn, Norma Jacobs, Margaret Ann Paradis, Carmen O. Prieto, Kate Ramos, Hala Saab, Joe Saab, and Eileen Sweeney work in and around the city of Barrie. The collective was inspired by and choose to produce works in response to a quote by John Updike, “What art offers is Space – a certain breathing room for the spirit.” The end result is a diverse collection of abstract and representational paintings in oil, acrylic and mixed media.

CALL FOR ENTRY: DRAWING 2011

Entry Deadline: January 21, 2011

DRAWING 2011 is the John B. Aird Gallery's 12th Annual Juried Drawing Exhibition. JURORS: Sadko Hadzihasanovic, Artist and Educator represented by Paul Petro Contemporary Art and Dale Barrett, Director / Curator of the John B. Aird Gallery. Cash Prizes will be awarded. The exhibition will be on view at the John B. Aird Gallery from February 8 – March 4, 2011.

Completed entry forms should be mailed to:

John B. Aird Gallery

900 Bay Street

Macdonald Block

Toronto, ON M7A 1C2

OPEN WATER 2010

"OPEN WATER"

The 85th Open Juried Exhibition of the

Canadian Society of Painters in Water Colour

October 26 - November 26, 2010

"Critical Mass", Sept. 28 - Oct. 22, 2010

The John B. Aird Gallery presents "Critical Mass", organized by the Sculptors Society of Canada and on view from September 28 to October 22.

Participating artists include: Adrienne Alison, Holly Atkinson, Gordon Becker, Sam Blaugg, Patricia Brennan, Yeon-Tak Chang, John Clinton, Brett Davis, Eamon, Mary Ellen Farrow, Barbara Fletcher, Camie Geary-Martin, Roger Golden, Al Green, Marina Guglielmi, Judy Raymer Ivkoff, Elaine Jaques, Saulius Jaskus, Sun Mi Jung, Maryon Kantaroff, Marlene Kawalez, Evgueni Kogan, J.Mac, Bastien Martel, Lilly Otasevic, Andrew Pawlowski, Octavia Proca, Desmond Scott, Alex Tavares, Tyzo David Toccalino, Dina Torrans, Peter Wirun, Xiaojing Yan, Daniel Yu.

Environmental Music: Installation Photos

Environmental Music: Laura Culic, Dan Ryan, Carol Westcott
August 24 - September 24, 2010

Ontario is blessed with a substantial history and a venerable tradition in landscape painting. It would hardly seem possible that this history—writ so large by the likes of Thomson, MacDonald, Lismer and others—could have room for reinterpretation or even exploration by artists working in the 21st century. A sky, a tree, a body of water, how many times can these sometimes iconic elements be reinvented, reconfigured, and redrawn?

Environmental Music brings together the work of three contemporary landscape artists. All are Toronto-based painters who look to the land for their primary inspiration. Laura Culic, Dan Ryan and Carol Westcott have each been painting professionally for over ten years. While they all draw on similar subject matter however, each has a distinctive and very personal response to it.

Laura Culic’s work dwells, like the 19th century Impressionists, on the fleeting effects of time on the landscape. Big skies, shifting clouds and the inevitably long, low sweep of the horizon figure prominently in her work. Layers of wax, oil paint and alkyd mediums are employed to represent nature’s ongoing transience. Seemingly serene and non threatening, these works nevertheless remind us of our vulnerability and insignificance before nature.

Dan Ryan meanwhile uses his working method and his materials to expose and reinforce nature’s power. He scrapes, pulls and forces the paint across the panel to infuse his work with the same energy he frequently encounters in the natural world. As well, like Culic, he appreciates the big skies of Ontario’s northland but is also captivated by forms encountered at close range that he can translate into a language both familiar and intimate.

In Carol Westcott’s work the artist’s astute observations in the field have culminated in a reality re-imagined on the canvas. The subject matter, rendered at close hand, has been so personally re-appraised so as to travel far beyond its original inspiration. Manipulating form and colour to near abstraction, Westcott produces imagery that is at once both convincing and original.

While all three artists can interpret a landscape’s formal elements, it is the ability to create the atmosphere inherent in the landscape that elevates the quality of these works. This is an atmosphere so palpable that we can imagine ourselves not only outside of the scene but within it as well. Often distanced from and oblivious to the nuances of change being wrought in the natural environment, we are reminded in these paintings of its power and its sway over us.

Gillian Reddyhoff
Curator