











Dan Ryan meanwhile uses his working method and his materials to expose and reinforce nature’s power. He scrapes, pulls and forces the paint across the panel to infuse his work with the same energy he frequently encounters in the natural world. As well, like Culic, he appreciates the big skies of Ontario’s northland but is also captivated by forms encountered at close range that he can translate into a language both familiar and intimate.
In Carol Westcott’s work the artist’s astute observations in the field have culminated in a reality re-imagined on the canvas. The subject matter, rendered at close hand, has been so personally re-appraised so as to travel far beyond its original inspiration. Manipulating form and colour to near abstraction, Westcott produces imagery that is at once both convincing and original.
While all three artists can interpret a landscape’s formal elements, it is the ability to create the atmosphere inherent in the landscape that elevates the quality of these works. This is an atmosphere so palpable that we can imagine ourselves not only outside of the scene but within it as well. Often distanced from and oblivious to the nuances of change being wrought in the natural environment, we are reminded in these paintings of its power and its sway over us.
Gillian Reddyhoff
Curator